So in the midst of all the weird inspirations over the last 6 months, I was struck with the idea to create a web-based “TV” series.
Meaning, it looks and feels like a television program, and you watch it online.
Except I have no clue how to do that. I mean, I can script a play, and I know how to act (here’s an audition video – strong language warning!) and I can sit in front of a camera (I’ve done it dozens of times here). But there’s a distinct difference between filming “talking head” type videos in my kitchen, and doing a full-blown tv show.
There’s other people involved, for crying out lout.
I’ve got to rustle up actors, and a screenwriter (because I’m not going to try to tackle a script all by my lonesome), and camera gear (because my little webcam just won’t cut it, thanks), and people to run those cameras.
Now, I could take a cue from @edward_norton, whose last film “Newlyweds” cost just under $9k to shoot (and another $100k or so in post-production), but I’m not nearly as connected as Ed, nor do I have $100k just lying around to make it happen.
So what’s a girl to do?
Well, before we go there, let’s ask a more important question:
Why in the name of all things holy would you want to make a TV show, Lisa?
Thanks for asking! Actually, the short answer is I don’t want to make it. I feel compelled to make it. In fact, I’m not even sure if I can make it. But I’ve been inspired to give this thing a go.
For a long time, I’ve believed that a compelling drama is more like Shakespeare – where there are plenty of funny moments, and even the minor characters have complications. The characters aren’t two-dimensional, and it’s more like real life.
And, of course, I wanted to do something that would benefit entrepreneurs. I wanted to create something that would actually serve the world, not just “entertain” in some mindless, Hollywood drama kind of way.
I want to create partnerships: with artists, musicians, entrepreneurs, business owners, and of course the talented folks that actually make up the cast and crew of the show.
In short, I want to create a symbiotic edutainment ecosystem: one that lives and breathes and benefits everyone involved. Where the sponsors aren’t found in commercials, but as integral components to the story line itself. Where the viewers are actively involved in shaping the direction of the show – and even appearing on screen from time to time.
I’m no futurist, but to me, this is the direction that television needs to go. So-called reality television is nothing more than a modern-day game show, and the outcomes are often a known quantity.
I want to create something that blurs the lines between reality and television so much, that you’re not quite sure what’s real anymore – something that gets you caught up in it – and you actually become a part of the show.
You know how, in the movies, a phone number it’s always “555-xxxx” because if you call the number you’ll get an automated “this number’s not in service” kind of recording? They tried to use a “real number” in Bruce Almighty – and a lot of people tried calling it, wanting to talk to God.
Well, what if we could use real numbers and have real people on the other end – driving real commerce to real businesses, and engaging people in real conversations with real people?
Yeah. THAT. That’s just the tip of the iceberg with what I want to do with this project.
And it’s starting to take shape. Kinda scary cool.
Which brings us back to the original question:
How do you make something happen when you don’t know how to do it?
Short answer: You learn. You study. You practice. And you put yourself “out there” and see what happens.
That’s what I did when I decided I wanted to record an album (I’ve done two now, working on my third). I learned how to build a synthesizer, play instruments, engineer the recording, mix the tracks, design the cover, and press the discs. And that’s a knowledge that can never be taken away from me, no matter how many discs or downloads I sell. And that knowledge is transferable to other people and situations. I learned about marketing my music, getting “gigs” and touring. All valuable stuff when you’re building a production company and getting your show into the hands of thousands of fans.
So I’m researching, asking people to point me in new directions. I’m creating a whole new academic pursuit for myself, as I learn what even goes into a screenplay (it’s not the same as a stage play, which is where I’m more familiar). I’m approaching musicians and learning about music licensing from the OTHER side of the microphone now.
And every step along the way, I’m pleading my ignorance and trusting people to not screw me over. Trusting that God’s going to point me in the right direction to talk to the right people and make the right decisions.
Without much of a net.
Wanna watch?
Every so often, I’ll be posting updates here on this crazy new journey. It’s a business, after all. We’ll explore the business elements of making this show happen – from crowdsourcing, to approaching “untouchables” and the like – I’ll be covering it here as we go. If you’re intrigued by the show, you can follow @iamthemechanic on twitter now, and see how it all unfolds. Actually, that account is for one of the characters in the show, just one of the interactive elements of the program.
I’m thrilled to be living in a time where technology makes this kind of creativity possible. I have no idea how it’s all going to turn out. This is me, crossing the threshold and trusting the journey with the friends I make along the way.
And I hope I get to include you among those fine folks.
What about you? What are you saying “I can’t” to – but only because you don’t know how? What would you do if you knew how? Why aren’t you doing it?